Browse audiobooks narrated by XYZ Voices, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us
8 audiobooks in our catalogue, every one with its narrator named.
Alice's Adventures in Wonderland
"Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, 'and what is the use of a book,' thought Alice 'without pictures or conversation?' So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so VERY remarkable in that; nor did Alice think it so VERY much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually TOOK A WATCH OUT OF ITS WAISTCOAT-POCKET, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled 'ORANGE MARMALADE', but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it. 'Well!' thought Alice to herself, 'after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!' (Which was very likely true.) Down, down, down. Would the fall NEVER come to an end! 'I wonder how many miles I've fallen by this time?' she said aloud. 'I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think—' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a VERY good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) '—yes, that's about the right distance—but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.)"
Lewis Carroll (Author), XYZ Voices (Narrator)
"The Little Prince [Le Petit Prince], is a novella and the most famous work of the French aristocrat, writer, poet and pioneering aviator Antoine de Saint-Exupéry (1900–1944). The novella is both the most-read and most-translated book in the French language, and was voted the best book of the 20th century in France. After the outbreak of the Second World War Saint-Exupéry became exiled in North America. In the midst of personal upheavals and failing health, he produced almost half of the writings for which he would be remembered, including a tender tale of loneliness, friendship, love and loss, in the form of a young prince fallen to Earth. An earlier memoir by the author had recounted his aviation experiences in the Sahara Desert, and he is thought to have drawn on those same experiences in The Little Prince. Since its first publication in the United States, the novella has been adapted to numerous art forms and media, including audio recordings, radio plays, live stage, film screen, television, ballet, and operatic works. The Little Prince is a poetic tale, with watercolour illustrations by the author, in which a pilot stranded in the desert meets a young prince fallen to Earth from a tiny asteroid. The story is philosophical and includes social criticism, remarking on the strangeness of the adult world. It was written during a period when Saint-Exupéry fled to North America subsequent to the Fall of France during the Second World War, witnessed first hand by the author and captured in his memoir Flight to Arras. The adult fable, according to one review, is actually '...an allegory of Saint-Exupéry's own life--his search for childhood certainties and interior peace, his mysticism, his belief in human courage and brotherhood.... but also an allusion to the tortured nature of their relationship.' Though ostensibly styled as a children's book, The Little Prince makes several observations about life and human nature. For example, Saint-Exupéry tells of a fox meeting the young prince during his travels on Earth. The story's essence is contained in the lines uttered by the fox to the little prince: On ne voit bien qu'avec le cœur. L'essentiel est invisible pour les yeux. ('One sees clearly only with the heart. What is essential is invisible to the eyes.') Other key thematic messages are articulated by the fox, such as: Tu deviens responsable pour toujours de ce que tu as apprivoisé. ('You become responsible, forever, for what you have tamed.') and C'est le temps que tu as perdu pour ta rose qui fait ta rose si importante. ('It is the time you have lost for your rose that makes your rose so important.') The fox's messages are arguably the book's most famous quotations because they deal with human relationships."
Antoine de Saint-Exupéry (Author), XYZ Voices (Narrator)
Audiobook · 1 hr 58 mins
[Turkish] - Küçük Elisa: Zaman Yolcusu
"Elisa, 7 yaşında küçük bir kızdır ve gerçeği aramak için bir gün evden çıktığında, ormanda kaybolur ve takip ettiği siyah bir tavşan, onu çok eski bir su sarnıcına götürür. İçine girdiğinde sihirli bir aynayla karşılaşır ve aynaya dokunduğunda bir anda kendini 400 yıl önceki bir zamanda bularak, bir zaman tünelinde kaybolur. Buraya geldiğinde kim olduğunu ve nereden geldiğini hatırlayamaz, fakat karşısına çıkan ve isminin Seyyaholduğunu söyleyen adamın gerçekte kim olduğunu araştırmaya başladığında, kendini bambaşka bir öykünün içinde bulur. Şimdi, o aslında gelecekten gelmiş olan bir zaman yolcusudur ve tekrar geldiği yere, geleceğe dönmek için çok zorlu bir mücadeleye girişecek ve zaman makinasını tekrar çalıştırmayı başararak Agartha denilen bilinmeyen bir yeraltı ülkesine gidecek ve orada bir zamanlar bir kraliçe olduğunu ve esas isminin –Alice– olduğunu öğrenince çok daha şaşıracaktır. Üstelik, bununla da kalmayıp orada yüzyıllar ötesinde kaybettiği ailesini, anne ve babasını tekrar bulunca, çok daha sihirli ve bambaşka duygusal bir hikaye başlayacak ve hikayenin sonunda Elisa ailesini bulduğunda, aslında onların da bir zaman yolcusu olduğunu garip bir şekilde öğrenince çok şaşıracaktır.. '..Hayatta hep eksik bir şeyler kalır. Ya yapılmamış bir iş veya kavuşulmamış bir insan. Belki, de en son kalan parça hayatımızın da tüm anlamını içerir ve o yüzden hep saklıdır' dedi Elisa, konuşmasına başlamadan önce. Öyle ki, bazı an gelir, hayatımızın geri kalanını o eksik elmas parçayı aramakla geçirmek zorunda kalabiliriz. Çünkü, o son parça olmadan, hiçbir şey anlamını tamamlamaz..' İşte, aynen bunun gibi, Alice'in de –Elisa– olmadan önceki hayatının gerçek anlamı ve kayıp parçası neydi? Bunu mutlaka öğrenmeliydi. Ama bunun için çok uzun bir yolculuktan geçmesi gerekiyordu. Eminim, Elisa ile olan bu ilginç seyahatlerimi ve onun içinden çıktığı bu sihirli kitabı okudukça, siz de buna katılacaksınız ve 'gerçek' üzerinde yeniden düşünmeye başlayacaksınız.. Unutmayın! Bu evrendeki her şeyin bir hayali bir de gerçek görüntüsü vardır..."
Murat Ukray (Author), XYZ Voices (Narrator)
Audiobook · 1 hr 39 mins
The Wind in the Willows
"The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said 'Bother!' and 'O blow!' and also 'Hang spring-cleaning!' and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the gavelled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, 'Up we go! Up we go!' till at last, pop! his snout came out into the sunlight, and he found himself rolling in the warm grass of a great meadow. 'This is fine!' he said to himself. 'This is better than whitewashing!' The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side. 'Hold up!' said an elderly rabbit at the gap. 'Sixpence for the privilege of passing by the private road!' He was bowled over in an instant by the impatient and contemptuous Mole, who trotted along the side of the hedge chaffing the other rabbits as they peeped hurriedly from their holes to see what the row was about. 'Onion-sauce! Onion-sauce!' he remarked jeeringly, and was gone before they could think of a thoroughly satisfactory reply. Then they all started grumbling at each other. 'How STUPID you are! Why didn't you tell him——' 'Well, why didn't YOU say——' 'You might have reminded him——' and so on, in the usual way; but, of course, it was then much too late, as is always the case. It all seemed too good to be true. Hither and thither through the meadows he rambled busily, along the hedgerows, across the copses, finding everywhere birds building, flowers budding, leaves thrusting—everything happy, and progressive, and occupied. And instead of having an uneasy conscience pricking him and whispering 'whitewash!' he somehow could only feel how jolly it was to be the only idle dog among all these busy citizens. After all, the best part of a holiday is perhaps not so much to be resting yourself, as to see all the other fellows busy working."
Kenneth Grahame (Author), XYZ Voices (Narrator)
Audiobook · 6 hrs 49 mins
Nutcracker and Mouse King
"The Mouse King (also known as Rat King in some versions) is the main antagonist in the novel and ballet adaptation The Nutcracker. He is an oppressive ruler who wishes to rule over a magical kingdom where he comes from. He becomes successful as he transformed the prince into a nutcracker and overthrew him. The prince, however, still rebels against the Mouse King, as the story introduces the Mouse King and the Nutcracker Prince waging in a battle against each other, which soon brought the attention of the story's protagonist. On Christmas Eve, a girl named Marie is visited by her godfather Drosselmeyer who persent Marie a nutcracker as her present. Marie enjoys the gift, but then her brother Fritz accidentally broke it when he wanted to play with it. Marie becomse upset and takes the nutcracker away from Fritz, as she promises to take care of it. Marie's slumber is disrupted by the grandfather clock chimeing, and Marie belives Drosselmeyer is sitting on top of it. Around that time, the Mouse King and his army invades Marie's house. The Nutcracker soon comes alive and leads an army of toys into battle against the Mouse King. The battle is first in favor of the dolls, but they are soon overwhelmed by the Mouse KIng's army. Noticing the Nutcracker about to be taken captive, Marie throws a slipper at the Mouse King, fainting afterwards (cutting her arm on the toy cabinet's glass door in the process). Marie wakes up in her bed the next morning with her arm bandaged. She tries to tell her parents about the battle between the mice and the dolls, but they don't believe her, thinking that she has had a fever dream caused by the cut from the glass. Several days later, Drosselmeyer arrives with the nutcracker after he fixed his jaw, and he tells Marie the story of Princess Pirlipat and Madame Mouserinks, also known as the Queen of the Mice, which explains how nutcrackers came to be and why they look the way they do. The Mouse Queen tricked Pirlipat's mother into allowing her and her children to gobble up some lard..... that was supposed to be used in the King's sausage dinner! The King, furious about the now ruined dinner plans, had his court inventor, whose name happens to be Drosselmeyer, create traps for the Mouse Queen and her children. The Mouse Queen, angered at the death of her children, swore that she would take revenge on Pirlipat. Pirlipat's mother surrounded her with cats which were supposed to be kept awake by being constantly stroked. However, the nurses who did so fell asleep and the Mouse Queen magically turned Pirlipat ugly (With a large head, a wide grinning mouth, and a cottony beard like a nutcracker.) The King blamed Drosselmeyer and gave him four weeks to find a cure. At the end, he had no cure, but went to the court astrologer."
E.T.A. Hoffmann (Author), XYZ Voices (Narrator)
Audiobook · 2 hrs 47 mins
"Treasure Island is an adventure novel by Scottish author Robert Louis Stevenson, narrating a tale of 'buccaneers and buried gold'. First published as a book on 23 May 1883, it was originally serialized in the children's magazine Young Folks between 1881 and 1882 under the title Treasure Island or, the mutiny of the Hispaniola with Stevenson adopting the pseudonym Captain George North. Traditionally considered a coming-of-age story, Treasure Island is a tale known for its atmosphere, characters and action, and also as a wry commentary on the ambiguity of morality — as seen in Long John Silver — unusual for children's literature now and then. It is one of the most frequently dramatized of all novels. The influence of Treasure Island on popular perceptions of pirates is enormous, including treasure maps marked with an 'X', schooners, the Black Spot, tropical islands, and one-legged seamen carrying parrots on their shoulders. Short Summary of the Book: The novel is divided into six parts and 34 chapters: The novel opens in the seaside village of Black Hill Cove in south-west England (to Stevenson, in his letters and in the related fictional play Admiral Guinea, near Barnstaple, Devon) in the mid-18th century. The narrator, James 'Jim' Hawkins, is the young son of the owners of the Admiral Benbow Inn. An old drunken seaman named Billy Bones becomes a long-term lodger at the inn, only paying for about the first week of his stay. Jim quickly realizes that Bones is in hiding, and that he particularly dreads meeting an unidentified seafaring man with one leg. Some months later, Bones is visited by a mysterious sailor named Black Dog. Their meeting turns violent, Black Dog flees and Bones suffers a stroke. While Jim cares for him, Bones confesses that he was once the mate of a notorious late pirate, Captain Flint, and that his old crewmates want Bones' sea chest. Some time later, another of Bones' crew mates, a blind man named Pew, appears at the inn and forces Jim to lead him to Bones. Pew gives Bones a paper. After Pew leaves, Bones opens the paper to discover it is marked with the Black Spot, a pirate summons, with the warning that he has until ten o'clock to meet their demands. Bones drops dead of apoplexy (in this context, a stroke) on the spot. Jim and his mother open Bones' sea chest to collect the amount due to them for Bones' room and board, but before they can count out the money that they are owed, they hear pirates approaching the inn and are forced to flee and hide, Jim taking with him a mysterious oilskin packet from the chest. The pirates, led by Pew, find the sea chest and the money, but are frustrated that there is no sign of 'Flint's fist'. Customs men approach and the pirates escape to their vessel (all except for Pew, who is accidentally run down and killed by the agents' horses)."
Robert Louis Stevenson (Author), XYZ Voices (Narrator)
Audiobook · 7 hrs 19 mins
"It was the she-wolf who had first caught the sound of men's voices and the whining of the sled-dogs; and it was the she-wolf who was first to spring away from the cornered man in his circle of dying flame. The pack had been loath to forego the kill it had hunted down, and it lingered for several minutes, making sure of the sounds, and then it, too, sprang away on the trail made by the she-wolf. Running at the forefront of the pack was a large grey wolf—one of its several leaders. It was he who directed the pack's course on the heels of the she-wolf. It was he who snarled warningly at the younger members of the pack or slashed at them with his fangs when they ambitiously tried to pass him. And it was he who increased the pace when he sighted the she-wolf, now trotting slowly across the snow. She dropped in alongside by him, as though it were her appointed position, and took the pace of the pack. He did not snarl at her, nor show his teeth, when any leap of hers chanced to put her in advance of him. On the contrary, he seemed kindly disposed toward her—too kindly to suit her, for he was prone to run near to her, and when he ran too near it was she who snarled and showed her teeth. Nor was she above slashing his shoulder sharply on occasion. At such times he betrayed no anger. He merely sprang to the side and ran stiffly ahead for several awkward leaps, in carriage and conduct resembling an abashed country swain. This was his one trouble in the running of the pack; but she had other troubles. On her other side ran a gaunt old wolf, grizzled and marked with the scars of many battles. He ran always on her right side. The fact that he had but one eye, and that the left eye, might account for this. He, also, was addicted to crowding her, to veering toward her till his scarred muzzle touched her body, or shoulder, or neck. As with the running mate on the left, she repelled these attentions with her teeth; but when both bestowed their attentions at the same time she was roughly jostled, being compelled, with quick snaps to either side, to drive both lovers away and at the same time to maintain her forward leap with the pack and see the way of her feet before her. At such times her running mates flashed their teeth and growled threateningly across at each other. They might have fought, but even wooing and its rivalry waited upon the more pressing hunger-need of the pack. After each repulse, when the old wolf sheered abruptly away from the sharp-toothed object of his desire, he shouldered against a young three-year-old that ran on his blind right side. This young wolf had attained his full size; and, considering the weak and famished condition of the pack, he possessed more than the average vigour and spirit. Nevertheless, he ran with his head even with the shoulder of his one-eyed elder. When he ventured to run abreast of the older wolf (which was seldom), a snarl and a snap sent him back even with the shoulder again. Sometimes, however, he dropped cautiously and slowly behind and edged in between the old leader and the she-wolf. This was doubly resented, even triply resented. When she snarled her displeasure, the old leader would whirl on the three-year-old. Sometimes she whirled with him. And sometimes the young leader on the left whirled, too. At such times, confronted by three sets of savage teeth, the young wolf stopped precipitately, throwing himself back on his haunches, with fore-legs stiff, mouth menacing, and mane bristling. This confusion in the front of the moving pack always caused confusion in the rear. The wolves behind collided with the young wolf and expressed their displeasure by administering sharp nips on his hind-legs and flanks. He was laying up trouble for himself, for lack of food and short tempers went together; but with the boundless faith of youth he persisted in repeating the manoeuvre every little while, though it never succeeded in gaining anything for him but discomfiture."
Jack London (Author), XYZ Voices (Narrator)
Audiobook · 7 hrs 35 mins
[Turkish] - Küçük Kara Balık
"Bir zamanlar, büyük bir denizin derinliklerinde yaşlı bir balık oniki bin çocuğu ve torununu başına toplamış, onlara masal anlatıyordu: Bir zamanlar, annesiyle ırmakta yaşayan küçük bir karabalık vardı. Bu ırmak dağdaki bir kayadan doğuyor ve vadinin tabanına doğru akıyordu. Küçük balık ile annesinin evi siyah bir taşın arkasındaydı. Yosun tutmuş evin çatısı yemyeşildi. Geceleri bu yosunların altında uyuyorlardı. Hayatında bir kere olsun evlerinden ay ışığını görmek küçük balığın en büyük özlemiydi."
Samed Behrengi (Author), XYZ Voices (Narrator)
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