By Bea Davenport (author)
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June 2014 Debut of the Month A chilling, time-slip story with a strong sense of the past and full of magic and mystery. Summoned out of her life of poverty after her mother’s death, Annie finds she has the extraordinary ability to slip back into the past whenever she touches one of the images of a serpent which fill the grand house in which she is working.
Her mistress orders her to follow the serpents back in time to a leper hospital to steal a cure for all the diseases in the world from a sinister doctor who works there. Annie needs great courage to fulfil the mission and has no assurance that the sinister doctor’s cures will work. ~ Julia Eccleshare
As I got into the Hall grounds, the sick, dizzy feeling came over me again, as if I wasabout to fall over. Was that a whispering in my ears? Was someone saying my name?
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As I got into the Hall grounds, the sick, dizzy feeling came over me again, as if I was about to fall over. Was that a whispering in my ears? Was someone saying my name?
Twelve-year-old Annie is invited to Hexer Hall to work as a servant for the mysterious Lady Hexer. Carvings of snakes are everywhere and when Annie touches one, she travels back in time to when the Hall was a leper hospital, run by a sinister doctor with a collection of terrifying serpents. Annie never wants to return, but Lady Hexer demands she finds a way to steal the doctor’s book of magical cures.
She promises it will rid the world of disease, including tuberculosis, which killed Annie’s mother.
Summoning all her courage, Annie travels back in time again...
Annie, the central character, suffers from alopecia, a condition the author also had. At primary school Davenport starting to notice her hair falling out, and, by aged 8 she had significant hair loss and alopecia was diagnosed. Davenport suffered with the condition well in to her 30s, it was only after the birth of her first son that her hair started to return.
Davenport wanted to write about a character suffering from alopecia, and when she discovered in her research that hair loss was a symptom of leprosy it all seemed to fall in to place. She explains “A long time ago, writers realised that there was no reason why the hero of a story shouldn’t look or act different to the norm, but I’ve never found another book where the main character has lost her hair.”
Both the Victorian present of Annie's diary and the medieval past are strongly evoked. Amanda Craig
...a brilliant book! Jackie Kay MBE, poet and novelist
Bea’s first novel The Serpent House was written during her Creative Writing PhD at Newcastle University. Her tutors were Jackie Kay, the award-winning poet and writer, and Professor Kim Reynolds, an internationally-renowned expert in children’s literature.
In its early, unpublished form, The Serpent House was shortlisted for The Times/Chicken House award.
The Misper was longlisted in a Mslexia Writing for Children competition and is published by The Conrad Press. Bea has also written two crime novels for adults, In Too Deep and This Little Piggy , and teaches journalism and creative writing.
She lives near Berwick-upon-Tweed in Northumberland with her partner and children.
A Q&A with the author on her latest novel The Misper :
Describe your book in one sentence? Anna and Zoe turn to magic to try to shake off their geeky friend Kerry – but they should’ve been careful what they wished for.
Who’s your favourite character in the novel? Anna’s the nicest of the three. But I have a massive soft spot for troublesome Zoe. She’s so bright and so prickly.
Shakespeare or Dickens? Both, of course! But if I have to choose, George Eliot.
Favourite author? I can never answer this as I don’t have a single favourite. I have a huge long list and it changes from week to week. At the moment Neil Gaiman is very near the top of the list but it’s very often the last author I read.
Favourite character from a book? I’ve always had a soft spot for Pippi Longstocking. I like a free spirit!
Prefer books or the film adaptations? Always, always books! It’s not that there aren’t some fantastic film adaptations, as there are, but if I was on a desert island I’d rather it had a library than a cinema.
If you weren’t an author, you would be… I was a journalist for many years and that was a fun job. And I’ve always liked the idea of playing a baddie character in a TV soap.
Favourite place/setting to read a book? On holiday, anywhere in the sun. That way I don’t get the niggling feeling I should be working instead of reading.
What inspired you to write your book? A couple of things: When I was very little, I remember the excitement of organising a Halloween party and that was the starting point for the story – but then it got darker and darker, so it needed to be for older readers than I first intended. But also, I’ve seen what it is like to feel on the outside edge of a friendship group and I also know what it’s like when someone tags onto you that you don’t really want around. So I wanted to explore friendship dynamics.
If you had a dinner party what three authors or characters from literature would you invite? First would be Edith Nesbit, author of the first ever historical time fantasy for children (The Story of the Amulet). I’d love to ask her about the genre she started and the way it’s so popular today. I’d invite Dorothy Parker to make everyone laugh. Finally I’d invite Mary Poppins, so that she could magic us up a feast and clear it up at the end with a click of her fingers.
When did you start writing? Like most writers, I scribbled stories from the age of about eight or nine. They were just bad versions of Enid Blyton’s adventure tales. I carried on writing while working as a journalist, but I only had the courage to show anyone my writing a few years ago.
How long does it take to write a book? It depends on the book and a lot of other factors. My first crime novel for adults took a few years, because I only got the chance to write now and again while working and having young children. The second adult novel only took a few months! The Misper took about a year to write the first draft but it’s been through a zillion changes, so all in all, I guess it took three or four years.
Where do you get your ideas from? Everywhere! I’m a typical journalist – I love listening to what people say and to what they don’t say, and I’m always on the spy for story ideas. There’s hardly a day goes by when I don’t find myself thinking, ‘Oooh! There’s a good story idea…’
Do you base your characters on people you know? Not deliberately! But I think all writers use little bits of people they’ve met and weave them together to make a composite character. My partner spotted the character of Tom in The Serpent House doing something that he regularly does. Fortunately he didn’t mind me pinching his actions to use in the book!
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As I got into the Hall grounds, the sick, dizzy feeling came over me again, as if I wasabout to fall over. Was that a whispering in my ears?
The LoveReading4Kids Editorial Team have read and reviewed The Serpent House and determined it is suitable for children aged 9-12 years old
The Serpent House features in the following genres: Debuts of the Month, Recommendations, Featured Books for 11+ readers, Historical Fiction, Children's and Young Adult Fiction, Children’s, Teenage and Educational, Books Reviewed by our Reader Review Panels, Recommended Children's eBooks, Featured Books for 9+ readers
Paperback. Not Available.
The Serpent House was written by Bea Davenport and published by Curious Fox
The Serpent House has 288 pages
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